What participants have said

After going to my second camp last year, I decided to make it a regular yearly thing! The camp gives you some great and challenging music to play, and when you aren't sure how something goes, the tutors from around the NZ's top orchestras can help you out! The camp organizes everything to ensure you get enough practice time, enough to eat, and even fits in spare time to relax or explore Oamaru! There are even times for you to organize other chamber groups if you feel like you want some more music! I really enjoyed meeting other musicians from around the country who share the same passion for music as me. Everybody is always keen to meet you or help you and its really easy to fit in. There's a fun concert to top off the camp, and other fun activities organized by those who attend, but you'll have to come next year to find out what they are...

Merlin, Flute, 16, Dunedin 2012

It was my first time going to the camp this year so I was a bit nervous about the difficulty of the pieces and wondering how nice everyone would be, but once I got to camp all my worries disappeared! The tutors were very nice and extremely helpful and it was very enjoyable staying in the dormitories with other girls my age. Everyone wanted you to enjoy the experience and this had the good effect of removing any of the pressure I may have felt! There were lots of fun activities such as the Quiz Night and the Fun Concert which made the camp very enjoyable! Even though at the beginning of the week I could barely play the pieces, by the end of the week I had improved massively and was capable of playing all of them! I would certainly recommend this camp as it was very enjoyable and allowed me to improve my playing a lot.

Ella, Flute, 15, Dunedin 2012

Who organises the camp and how it all began

In early 1996, Al was visiting Paul in Dunedin and suddenly said, "We ought to set up a music camp like in the old days. I've already talked to Don Maurice about it and he thought it was a good idea and would be prepared to conduct".

What he was talking about was the Otago University Extension Department Summer Music Courses run by Don McKenzie, Pat Cressey and Ian Menzies at Otekaike, and sometimes Waimate, during the 70's and early 80's. The two had attended several of these, had a really good time and had learned rather a lot about playing their instruments. Conductors at the time included Jack Spiers and Peter Zwartz and tutors were the likes of Syd Mann, Ron Woodcock, Glynn Adams, Wally Hamer, Luigi Ferletti and Jack Lauderdale. Al thought that it was time that something like that happened again in a family oriented kind of way (what with all of us now being married and having children).

Anyway, Paul was naturally horrified and had all kinds of objections (like where, when, who and especially how?) but as the conversation progressed, and the beer was drunk, it started sounding vaguely possible. This was because Al had a secret weapon called Jenn. Jenn not only played the 'cello but also knew how to organise a whole bunch of people, how to set up menus, buy the food, do rosters for duties and prepare budgets and keep piles of paper in orderly stacks! Hooray for the Girl Guides. Also, Al and Jenn had helped with the Suzuki camps held at Waitaki Boys High School and knew the facilities and who to talk to there.

So... we booked the school for a vacant week in January, contacted potential tutors and got them on their marks, prepared a bunch of brochures, wrote press releases, put up posters, applied for grants, got the local Community Arts Council on board, did a lot of word of mouth and by golly people actually enrolled and sent money! It was quite amazing to stand in front of what looked like (and eventually sounded like) an orchestra at the very first rehearsal in 1997. We only lost a bit of money on the first one and everyone had had such a good time and swore they would return that we did it again, and again and after that we really didn't have any choice because we started getting calls in June asking for dates and what we going to play this year, etc, etc.

As time has gone on we've got better at extracting money from sponsors and settled into a nice routine to get everything done. The idea has always been that it should be fun and that all participants should get the most out of it without being freaked out at any stage. Our tutors have pretty much always understood that and happily joined in with the easy going style. Al, Jenn and Paul are, believe it or not, stupid enough to do it just because we like it and we get to have a good time too!

These days...

Al plays violin and viola and seems to specialise in learning new instruments - such as trombone, french horn, saxophone.....
Jenn continues her crucial behind the scenes role in organising the camp and looking after everyone.

Paul Claman is an itinerant teacher in Dunedin of most brass instruments.  He recently married Kris who plays violin and saxophone.



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